Affiliation:
1. 0000000403723343 University of Auckland and Norwegian University of Science and Technology
Abstract
Abstract This article shares methodological meanderings that sit at the intersection of embodiment and improvised dance ethnography. Comprised of a series of personal reflections on fieldwork, the query of ‘how does ethnography feel for the researcher?' is explored.
While questions pertaining to feelings researchers encounter in the field have been probed with some depth in existing literature, these are not always connected to how the feelings of the researcher are embodied at a somatic level. Through sharing two narratives of challenging moments I have
confronted in fieldwork, ideas around notions of embodiment, performing and fear, and violence and vulnerability are illuminated. Through unpacking how improvisational ethnography plays out from an embodied place, from my lived experiences as a dance researcher, there is the potential for
fostering a more fully developed somatic understanding of ethnographic dance research as a practice.
Subject
Visual Arts and Performing Arts
Cited by
3 articles.
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