Affiliation:
1. ISNI: 0000000106264654 The University of Texas at Tyler
Abstract
The timing of Matt Reeves’s The Batman (2022) situated the film as a symbol of and response to the social troubles that resulted from the political unrest in 2020 and 2021, presenting solution-driven rhetoric amidst the numerous public crises in American discourse and identity. Captured and represented in his opening prologue speech in juxtaposition to his rhetorical culmination speech, Batman’s orations mirror his own arc and the politically prescribed reawakening of confidence in political figures and institutions. Paralleling his addresses, the evolution of Batman’s excessive violence when he initially works under the identity of ‘Vengeance’, compared to his subsequent performance as a first responder at the end of the film, serves as a rhetoric of redemption for first responders. Multiple scenes focus on Batman’s learning to recognize humans’ need for compassion as he becomes a student of social progress. Working as a unifying symbol of a diverse leader, Gotham’s newly elected mayor, Bella Reál, simultaneously offers a vision for transitioning away from leaders associated with racist and sexist discourse. With Batman’s rhetorical culmination and transformation into an emergency rescuer, The Batman serves as unifying verbal and visual discourse in response to contemporary political unrest.
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