Terrain: A conversation in dancefilm between self and the Australian outback landscape

Author:

York-Pryce Sonia1ORCID

Affiliation:

1. ISNI: 0000000404375432 Griffith University alumna

Abstract

This article examines the connections between embodied and somatic spirituality that are revealed in the making of the dancefilm Terrain: Dancing on Stolen Land, filmed and performed by the author on Maiawali and Karuwali Country, known as the Channel Country, in the Diamantina National Park in outback Australia. Through a phenomenological approach, the author investigates her responses to the vast Australian outback. Using the language of responsive dance captured on film and in text, she discusses place, site-specific performance, invisibility, listening and cultural mindfulness, as experienced through improvisational performances on a contested landscape. On this ancient terrain, she pays her respect and acknowledgement to the traditional owners of this unceded land, past, present and emerging. https://vimeo.com/745881539

Publisher

Intellect

Subject

General Earth and Planetary Sciences,General Environmental Science

Reference33 articles.

1. Activism, land contestation and place responsiveness,2019a

2. Whenua – Land: Embodied and spiritual experiences,2019b

3. The performances of sacred places: An introduction,2021

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