Australia

Author:

Saunders Grant Leigh1ORCID,Gunn Rachael2ORCID

Affiliation:

1. ISNI: 000000008831109X University of Newcastle

2. ISNI: 0000000121585405 Macquarie University

Abstract

In this contribution, we provide a brief overview of the development of Hip Hop culture in Australia, looking specifically at rap and breaking (breakdancing). We show how Australian rap has for a long time been dominated by white Australian artists attempting to solidify an Aussie Hip Hop identity distinct from the United States. Because rap from Indigenous and Culturally and Linguistically Diverse (CaLD) communities did not fit the tropes of dominant (white) Australian culture, and were instead disregarded as simple mimicry of African American rap, the gatekeepers of Aussie Hip Hop for a long time locked out these minority artists. This created a divide in the rap scene that reflected broader Australian racial politics. In contrast, the breaking community has historically been more inclusive and reflective of a multicultural Australia, and has been more connected with the breakers of North America, Europe and Asia. In this contribution, we demonstrate how Australian Hip Hop has evolved over the past two decades to be more culturally inclusive, supported by key Australian artists, community radio, social media and finally validated by the Australian music industry as a distinct musical genre worth celebrating.

Publisher

Intellect

Reference42 articles.

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2. Australian Bureau of Statistics (2021), ‘Snapshot of Australia’, https://www.abs.gov.au/statistics/people/people-and-communities/snapshot-australia/2021. Accessed 3 May 2023.

3. It’s good to know something real and all that: Exploring the benefits of a school-based hip hop program;Australian Journal of Music Education,2017

4. Homies and homebrewz: Hip hop in Sydney,1999

5. Asserting identity through music: Indigenous hip hop and self-empowerment,2014

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