Abstract
Taking as the case study the Ikkeri Nayakas’ Vīrabhadra temple in Keladi (the current Karnataka state), the paper discusses the potential correlation between the narrative and the image in terms of the temple’s artistic programme and the myths it draws on. With the assumption that the artistic production can serve as a political tool aimed at expressing a ruler’s agenda, our focus is on the depictions of certain hybrid creatures found within the premises of the temple and their multidimensional symbolism attested to in Hindu narratives. Our analysis of the visual and the narrative material against the backdrop of the early history of the temple’s royal patrons suggests that in the centre of their interest, while designing the temple, was the desire to set out their claims to power and present the milieu they lived in.
Publisher
Ksiegarnia Akademicka Sp. z.o.o.
Subject
Literature and Literary Theory,Linguistics and Language,Philosophy,Religious studies,Visual Arts and Performing Arts,History,Language and Linguistics
Cited by
2 articles.
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1. Vīrabhadra, the Dreadful Destroyer of Sacrifice;Cracow Indological Studies;2024-07-24
2. From Fields to the Throne;Cracow Indological Studies;2023-12-15