La Beauté CONVULSIVE et les convulsions du roman surréaliste. Nadja (1928, A. Breton) et Zenobia (1985, G. Naum)-Reference-Cited by-同舟云学术

La Beauté CONVULSIVE et les convulsions du roman surréaliste. Nadja (1928, A. Breton) et Zenobia (1985, G. Naum)

Published:2023-12-15 Issue:Numéro spécial (2) Volume:23 Page:191-198
ISSN:2084-3917
Container-title:Romanica Cracoviensia
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Author:

Oprescu Florin¹^ORCID

Affiliation:

1. University of Vienna

Abstract

The CONVULSIVE Beauty and the Convulsions of the Surrealist Novel. Nadja (1928, A. Breton) and Zenobia (1985, G. Naum) The article examines some of the communicating vessels (« vases communicants ») between André Breton’s theoretical surrealism and Gellu Naum’s neo-surrealism praxis. The focus of the analysis is also on the intersection points among the two novels, Nadja (1928) and Zenobia (1985), defining moments of beginning and of the last surrealism. The aim is to determine the synthetic (theoretical and practical) manifesto of Breton’s novel, Nadja, and the pure poetic act of the last European surrealist novel, Zenobia. Although the correspondences seemed clarified by Romanian literary criticism, the present article offers a new, in-depth and contrastive perspective on the « convulsive beauty », from theory to practice.

Publisher

Uniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego

Subject

Literature and Literary Theory,Linguistics and Language,Language and Linguistics

Reference28 articles.

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3. 3. Benjamin Walter, 2000, Œuvres II, Maurice de Gandillac, Rainer Rochlitz, Pierre Rusch (trad.), Paris : Gallimard.

4. 4. Bonnet Marguerite, 1991, Le regard et l'écriture, (in:) André Breton, La beauté convulsive, Paris : Éditions du Centre Pompidou.

5. 5. Breton André, 1955, Les Vases Communicants, Paris : Gallimard.