Trzy tancerki flamenco – trzy transkulturowe historie. Tożsamość transkulturowa dziesięć lat później

Abstract

This text analyses the explanatory potential of the concept of transcultural identity, inscribed in the broader framework of terms such as “transculturality” and “transculturation.” The author refers to a study of foreign flamenco dancers in Seville she conducted ten years ago. In the new research, she goes back to three of her respondents to learn about their subsequent transcultural steps. New, in-depth interviews are confronted with the previous research and analysed through the lens of transcultural identity extended by the concept of transcultural capital.