Feministyczna hałda pamięci

Abstract

The author analyzes women’s artistic practices, framed as manifestations of environmental art of memory of violence and destruction – both political violence directed against people and violence directed against nature. The analyzed artists appear not so much as contemporary incarnations of Benjaminian angel of history, but rather as figures who while turning backwards descent into the depths, and as such not so much look at the debris as they penetrate it. Their practice is seen here as learning from the coexistence with the matter of the past and the past of the matter – the theoretical tool that the author employs is that of the postindustrial heap (hałda). The author shows how, by analyzing the works of such artists as Joanna Rajkowska, Karolina Grzywnowicz, Diana Lelonek, one can think differently about the relationship with the past and even the very idea of historicity today.