Abstract
Analyses paradigmatic foundations of digital culture that supersedes the (post)postmodern. It reveals paradigmatic constants and structuralsemantic patterns of digital culture from the perspective of digital humanities and fractal conception in particular and suggests an explanation of diversity of local cultural configurations, peculiarities of sociocultural transmission and periodic actualisation of sociocultural attractors of the past epochs.
Publisher
FSBI Russian State Library
Subject
Management, Monitoring, Policy and Law,Geography, Planning and Development
Reference28 articles.
1. Erokhin S.V. Iskusstvo i nauka v epokhu «dabl-post» // Vestnik Cherepovetskogo gosudarstvennogo universiteta. - 2013. - T. 1. - № 1 (54).
2. Kun T. Struktura nauchnykh revolyutsii. - M.: AST; Ermak, 2003.
3. Dacos M. Manifesto for the Digital Humanities. 2011 [Elektronnyi resurs]. - Rezhim dostupa: http://tcp.hypotheses.org/411.
4. Gere C. Digital Culture. 2nd ed. - London: Reakton books, 2008.
5. Deuze M. Participation, Remediation, Bricolage: Considering Principal Components of a Digital Culture // The Information Society. - 2006. - Vol. 22.
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献