Critical Generative AI Aesthetics

Author:

Gerner Alexander1

Affiliation:

1. Universidade Lusófona/ FilmEU

Publisher

Sabia Publisher

Reference67 articles.

1. AAMES, Jimmy. The double function of the interpretant in Peirce’s theory of signs. Semiotica 225, 2018, 39-55. https://doi.org/10.1515/sem-2017-0005

2. AGARWAL, SHRUTI, & HANY FARID. Detecting Deep-Fake Videos from Aural and Oral Dynamics. 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW), 2021. https://doi.org/10.1109/cvprw53098.2021.00109.

3. ANGUIANO, Dani, and Lois BECKETT. How Hollywood Writers Triumphed over AI – and Why It Matters. The Guardian, October 1, 2023. https://www.theguardian.com/culture/2023/oct/01/hollywood-writers-strike-artificial-intelligence. BAJOHR, Hannes.. Dumb meaning: Machine learning and artificial semantics. IMAGE The Interdisciplinary Journal of Image Sciences 37(1), 2023, 58-70 DOI: 10.1453/1614-0885-1-2023-15452 BARTHES, Roland. Camera lucida. Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 1981.

4. BEAM, Christopher. The Ai Detection Arms Race Is On-and College Students Are Building the Weapons. Wired, September 14, 2023. https://www.wired.com/story/ai-detection-chat-gpt-college-students/?mbid=social_facebook&utm_social-type=owned&utm_brand=wired.

5. BLUMENBERG, HANS. Automation {1954} (pp.214-233), in: Alberto Fragio, Martina Philippi & Josefa Ros Velasco (eds.) Metaphorologie, Anthropologie, Phänomenologie. Neue Forschungen zum Nachlass Hans Blumenbergs. Alber: Freiburg, 2019.

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