Images & Color: The Strasbourg Printer Johann Schott (1477–1548) and His Circle

Abstract

Abstract While most Renaissance scholars working on compendia of learning, geography, surgery, legal history, art history, the Reformation, and botany will be familiar with the name of Johann Schott, few have appreciated the range and impact of the Strasbourg printer’s publications. Here I discuss a handful among the over two hundred books and other materials he printed: Gregor Reisch’s Margarita Philosophica; the edition of Ptolemy’s Geographia with Waldseemüller’s maps; Hans von Gersdorff, Feldtbuch der Wundarzney; and – the main focus this essay – Herbarum vivae eicones, with figures by Hans Weiditz and text by Otto Brunfels. Schott can be seen as an architect or active agent of his publications; his innovative use of images and color can be seen as having progressively developed from his early prints to his celebrated herbal.