The Rock Arts of Metolong: Paintings, Archaeology and Cultural Resource Management in Western Lesotho

Abstract

Abstract Archaeological mitigation efforts in advance of Lesotho’s Metolong Dam involved comprehensive documentation of rock paintings in the area threatened with inundation, as well as pigment characterisation and direct dating. This paper gives an overview of the rock arts found and their key features. Four traditions are present. Most paintings belong to the fine-line San tradition, but there are also examples of Type 3 images previously only recognised in South Africa’s Eastern Cape Province. Two other traditions are identified as being made by local Basotho communities. Contextual evidence suggests that they relate to male identity and, in the case of ochre smears and handprints, specifically to male initiation rituals. Some of the rock art sites identified are, in fact, used today by male and female initiation schools. The importance of comprehensively documenting rock art in other locations where it is at risk of being lost via development projects is stressed. Metolong sets a standard for rock art recording in cultural resource management work in the wider region.