Abstract
In this article I defend directorial in-direction that keeps faith with a skeptical epistemology and antirepresentational theatrics. Along with Artaud's theories, I bring into play psychopragmatic and spectator-centered principles to critique strong directorial interpretations that deny audience agency and destroy the pact between playwright and spectator. In the last part of the article I focus on the implications of my arguments for
Subject
Literature and Literary Theory
Cited by
4 articles.
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