Romanian Film for the World: the Cultural Embedding of an Independent vod

Author:

Parvulescu Constantin1

Affiliation:

1. Department of Cinema and Media, Babes-Bolyai University, Cluj-Napoca, Romania, constantin.parvulescu@ubbcluj.ro

Abstract

Abstract The article analyzes the catalog, acts of curation, and promotional materials of the Romanian-based vod platform Cinepub (www.cinepub.ro). It also draws evidence from an interview conducted with the founder and manager of the platform, Lucian Georgescu. The analysis reveals the embedding of the service in the Romanian cinema culture, as well as in a global digital periphery. Some of the aspects that make Cinepub’s service stand out, the article argues, can be interpreted as responses to and reflections of its embedding. The broader question raised by my case study is to what extent and under what conditions vods from the European periphery can become viable actors on present-day markets.

Publisher

Brill

Reference22 articles.

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5. Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States;Iordache, Catalina,2021

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Promoting Films in Cinemas and on Streaming Platforms: Cinema Events in Czechia;Palgrave European Film and Media Studies;2024

2. The Critical Innovation Discourse of Small VODs: The Case of The Death of Mr. Lăzărescu on Cinepub;Images. The International Journal of European Film, Performing Arts and Audiovisual Communication;2023-01-05

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