Geographies and Histories of World Literature in Interwar Italian Magazines

Author:

Billiani Francesca1ORCID

Affiliation:

1. The University of Manchester UK Manchester

Abstract

Abstract This article adopts a historiographical approach to analyse some key debates on world literature that played out in literary and cultural magazines during the Italian Fascist dictatorship. It shows that by hosting such debates – especially on realism – in seemingly random fashion, literary and cultural magazines in the 1920s and 1930s significantly contributed to problematise the cultural politics of a xenophobic regime regarding the arts in general, and literature in particular. To this end, I focus on journals of different sizes, political orientations and visibility to provide different theorisations of world literature. Finally, by discussing the multiple epitomes of world literature that the magazines created, I question the presence of what may be considered a coherent national, or even canonical, literature to argue that world and national literatures could co-exist when made to function not just as literary but also as a cultural mechanism.

Publisher

Brill

Subject

Literature and Literary Theory

Reference77 articles.

1. Adorno, Theodor. Aesthetic Theory, ed. Robert Hullot-Kentor. London: Continuum, 2002.

2. Antliff, Mark. “Fascism, Modernism, and Modernity.” The Art Bulletin 84:1 (2002), 148–69.

3. Antonello, Anna. “Il Convegno e le letterature straniere.” Tradurre. Pratiche Teorie Strumenti 21 (Autumn 2021), 1–8.

4. Antonello, Anna. “Il Convegno e la letteratura tedesca.” Tradurre. Pratiche Teorie Strumenti 21 (2021), 1–5.

5. Antonello, Anna and Anna Modena, eds. “Il Convegno” 1920–1940. Per un’antologia. Milan: Fondazione Arnoldo e Alberto Mondadori, 2020.

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