Al-ʿūd, pípá, Lute: An Ancient Greek Perspective on Their Prehistory

Abstract

Abstract Starting from early Arabic sources, the absolute pitch of the Early Abbasid ʿūd is considered and related to evidence on pitch usage in Roman-period sources. Similar instruments, it is argued, must have existed already in late antiquity. Iconographic evidence takes us back to late Classical Greece, whose music would have provided especially fertile ground for designing such a lute. In contrast to the traditional tuning in fifths and fourths throughout, lutes with equidistant design had also existed for a long time, likely also on precursors of the ʿūd. The association of this style with the name of Manṣūr Zalzal must therefore be reassessed.