Constructing the “Jewish Type”

Abstract

Abstract With the emergence of new photographic technologies and processes during the second half of the nineteenth century, it became increasingly easier to pursue anthropometric research in anthropology. One group to receive particular attention was the Jewish community. This interest was due to several factors including the influx of Jewish immigrants to Britain as a result of the pogroms in the Russian Empire, easy access to subjects for the purpose of photographing and measuring them, and longstanding attempts to classify and racialize Jewish people within the human sciences. This paper will examine the construction of the supposed “Jewish type” during the late Victorian period by looking at the work of the Victorian polymath Francis Galton (1822–1911), and the Jewish folklorist and anthropologist Joseph Jacobs (1854–1916). Using the composite portraits of Jewish schoolboys that appeared in The Photographic News in 1885, the paper will explore both Galton’s and Jacobs’ visual epistemologies for constructing and representing this racial category, and the social and political factors underpinning their interpretations.