Abstract
AbstractWedded to creativity and spirituality since the dawn of humanity, the symbolisms of the hand and the foot have assumed many religious and artistic forms. This essay explores the artistic and religious significance of the hand and foot in the prehistoric rock art of North Africa and Arabia and examines their various ethnographic and mythological expressions in historical times. It then shows how these symbolisms were restructured in the Qur' n to fit a strictly iconoclastic monotheism. It is a multidisciplinary approach to a collective consciousness that finds its roots in an Afroasiatic substrate and its expression in the artistic and linguistic traditions of the eastern and southern coasts of the Mediterranean.
Subject
Literature and Literary Theory,Religious studies,Language and Linguistics,Cultural Studies
Cited by
7 articles.
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