Abstract
This article attempts to demonstrate how Charles Burns’ graphic novelBlack Hole(1995) construes the prevalence of contagion and pathological transformation(s) as metaphors of social contamination operating within a biopolitics of segregation. Through a study of plague, infection and strange mutations in Burns’ novel, this article offers a critical evaluation of themonstrous bodyand investigates howBlack Holeportrays the social reception of a sexually contagious virus through conditions of sickness and exclusion, which become biopolitical in quality. It examines, through close reading, how Burns’ novel uses metaphors of contagion, abjection and desire, often fusing those in order to foreground the complex intercorporeal state of thesegregated subjectand in the process dramatises the urgent need to revaluate conventional strategies of isolation and otherisation through a reconsideration of the biopolitical notions around engagement, community and immunity.
Subject
Philosophy,Pathology and Forensic Medicine
Reference45 articles.
1. Agamben G . 1995. Homo Sacer. Translated Daniel Heller-Roazen. California: Stanford University Press.
2. Ahmed S . 2004. The Cultural Politics of Emotion. Edinburgh: Edinburgh University Press.
3. Appleford S . 2006. “Interview with Charles Burns.” Los Angeles City Beat. Available from: https://web.archive.org/web/20070415221924/http://www.lacitybeat.com/article.php?id
4. Arnold A. D . 2005. “A Trip through A ‘Black Hole.” Time. Available from: http://www.time.com/time/arts/article/0,8599,1121476,00.html
5. Bashford A . 1998. Purity and Pollution. London: Macmillan Press Ltd. doi:10.1057/9780230501249