Syair in the Life of Contemporary Malays in Singapore

Author:

Buang Sa’eda1,Anwar Kartini1

Affiliation:

1. National Institute of Education – Nanyang Technological University, 50 Nanyang Avenue, Singapore

Abstract

Syair, a form of traditional Malay poetry believed to have been adapted from the Persian or Arab civilization, has been a popular performative art in the Malay world, including Singapore. It has evolved since its first introduction to the Malay Archipelago with the coming of Islam, and what constitutes as syair today is a culmination of its language structure, aesthetics, and depth of author’s insights as a form of the Malay community’s creative art. Once prevalent amongst the Malays until the 1970s, syair has significantly declined in popularity with the emergence of modern poetry and printed prose, and modern-day forms of entertainment, among other things, though it is still familiar to the urban and contemporary Malays in Singapore. Based on the data collected from a research project (2018 to 2020) in Singapore, this paper demonstrates that syair in the form of rare hikayat (tales) texts and manuscripts are still kept as personal collection and family heirloom. Albeit dwindling in number, the art of syair recital is slowly eroding if not for individuals who perceive the preservation of syairtexts and the art of syair recital as their honourable responsibility, akin to preserving the Malays’ social memory and collective wisdom.

Publisher

Dewan Bahasa dan Pustaka

Reference31 articles.

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2. al-Attas, Syed Muhammad Naquib. (1968). The origin of the Malay sha’ir. Dewan Bahasa dan Pustaka.

3. al-Attas, Syed Muhammad Naquib. (1969). The correct date of the Terengganu inscription. National Museum Malaysia.

4. Awang Had Salleh (1979). Malay secular education and teacher training in British Malaya. Dewan Bahasa dan Pustaka.

5. Azhar Ibrahim (2016). Syair kesaksian: Darihal menyinggung fikiran dan perbuatan. GerakBudaya.

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