Wayang Robot with Gamelan Music Pattern Recognition

Author:

Tomo Tito Pradhono, ,Schmitz Alexander,Enriquez Guillermo,Hashimoto Shuji,Sugano Shigeki,

Abstract

[abstFig src='/00290001/13.jpg' width='245' text='Wayang robot' ] This paper proposes a way to protect endangered wayang puppet theater, an intangible cultural heritage from Indonesia, by turning a robot into a puppeteer successor. We developed a seven degrees-of-freedom (DOF) manipulator to actuate the sticks attached to the wayang puppet body and hands. The robot can imitate 8 distinct human puppeteer’s manipulations. Furthermore, we developed a gamelan music pattern recognition, towards a robot that can perform based on the gamelan music. In the offline experiment, we extracted energy (time domain), spectral rolloff, 13 Mel-frequency cepstral coefficients (MFCCs), and the harmonic ratio from 5 s long clips, every 0.025 s, with a window length of 1 s, for a total of 2576 features. Two classifiers (3 layers feed-forward neural network (FNN) and multi-class Support Vector Machine (SVM)) were compared. The SVM classifier outperformed the FNN classifier with a recognition rate of 96.4% for identifying the three different gamelan music patterns.

Publisher

Fuji Technology Press Ltd.

Subject

Electrical and Electronic Engineering,General Computer Science

Reference27 articles.

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2. UNESCO Culture Sector, Intangible Heritage, 2003 Convention, 2003.

3. H. Spiller, “Gamelan: the traditional sounds of Indonesia,” ABC-Clio Inc., 2004.

4. T. P. Tomo, G. Enriquez, and S. Hashimoto, “Indonesian puppet theater robot with gamelan music emotion recognition,” 2015 IEEE Int. Conf. on Robotics and Biomimetics (IEEE-ROBIO 2015), pp. 1177-1182, 2016.

5. K. Nakadai, K. Hidai, H. G. Okuno, H. Mizoguchi, and H. Kitano, “Real-time Auditory and Visual Multiple-speaker Tracking For Human-robot Interaction,” J. of Robotics and Mechatronics, Vol.14, No.5, 2002.

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