Navigating Through Kofun Imagery An Analysis of the Boat Depictions Found in Decorated Tombs in Northern Kyūshū

Author:

Zancan Claudia1

Affiliation:

1. Università Ca’ Foscari Venezia, Italia

Abstract

The sōshoku kofun 装飾古墳 (decorated tombs) is a phenomenon of protohistoric art that developed during the Late Kofun Period (475‑710 CE) from Northern Kyūshū. This paper will discuss the data personally gathered from the iconographic and iconological analysis of the subject of the boat in seventeen sōshoku kofun in Northern Kyūshū, i.e. the present‑day prefectures of Fukuoka, Saga, and Nagasaki. The aim of this research is to understand how the subject of the boat developed artistically in this particular phenomenon of protohistoric art, why the boat was reproduced in a funerary context, and what information on the behind culture can be obtained by analysing the style, the iconography, and the links the subject of the boat has with both local and mainland symbolism.

Publisher

Edizioni Ca Foscari

Subject

Political Science and International Relations,Linguistics and Language,Sociology and Political Science,Religious studies,Cultural Studies

Reference47 articles.

1. Barnes, G. L. (1992) (not published). «The Social Context of Kofun Tomb Paintings». International Symposium on Asian Civilization (Fukuoka, 27th July 1992).

2. State Formation in Japan. Emergence of a 4th Century Ruling Elite. London; New York: Routledge;Barnes, G. L.,2007

3. Archaeology of East Asia. The Rise of Civilization in China, Korea and Japan;Barnes, G. L.,2015

4. Prehistoric Networks Across the Korea Strait (5000–1000 BCE). ‘Early Globalization’ during the Jōmon Period in Northwest Kyūshū?;Bausch, I. R.,2016

5. Access, Style and Imagery. The Audience for Prehistoric Rock Art in Atlantic Spain and Portugal, 4000-2000 BC;Bradley, R.,2002

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