Haute Couturein Tehran: Two Faces of an Emerging Fashion Scene-Reference-Cited by-同舟云学术

Haute Couturein Tehran: Two Faces of an Emerging Fashion Scene

Published:2007-06 Issue:2-3 Volume:11 Page:299-317
ISSN:1362-704X
Container-title:Fashion Theory
language:en
Short-container-title:Fashion Theory

Author:

Balasescu Alexandru¹

Affiliation:

1. Alexandru Balasescu is fashion commentator at Realitatea TV, a news channel in Romania, and has a PhD degree in anthropology (2004) from the University of California, Irvine. His thesis focuses on the symbolic and material links between the fashion industry in Paris and Tehran. He has published in academic journals such as the Journal of Material Culture, Fashion Theory, and Gender and History, as well as in the popular magazines Zoo and Idea.

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.2752/136270407X202835

Reference9 articles.

1. Adelkhah, Fariba. 1991.La revolution sous le voile. Femmes islamiques d'Iran.Paris: Karthala.

2. Baker, Patricia. 1997. “Politics of Dress: The Dress Reform Laws of 1920–1930s Iran.” In Nancy Lindisfarne-Tapper and Bruce Ingham (eds)Languages of Dress in the Middle East, pp. 178–93. Richmond: Curzon.

3. Faces and Bodies: Gendered Modernity and Fashion Photography in Tehran

4. Bayat-Philipp, Mangol. 1981. “Tradition and Change in Iranian Socio- Religious Thought.” In Michael E. Bonine and Nikki Keddie (eds)Modern Iran. The Dialectics of Continuity and Change, pp. 37–58. Albany, NY: State University of New York Press.

5. Keddie, Nikki R. 1995.Iran and the Muslim World Resistance and Revolution.New York: New York University Press.

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