AsanteHightimersand the Fashionable Display of Women's Wealth in Contemporary Ghana

Author:

Gott Suzanne1

Affiliation:

1. Suzanne Gott is an art historian in the University of British Columbia-Okanagan's Department of Critical Studies. Her research focuses on gender, the aesthetics of display and performance, and the fashion system of Ghana's Ashanti Region. She is currently investigating performative display, oratory, and aesthetic agency in Asante women's funerary presentations.

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Cultural Studies

Reference65 articles.

1. Addae, Gloria. 1963[1956]. “The Retailing of Imported Textiles in the Accra Market.” Ibadan, Nigeria: Nigerian Institute of Social and Economic Research.

2. Akyeampong, Emmanuel. 2000.“‘Wo pe tam won pe ba’(‘You like cloth but you don't want children’): Urbanization, Individualism, and Gender Relations in Colonial Ghana,c. 1900–39.” In David M. Anderson and Richard Rathbone (eds)Africa's Urban Past, pp. 222–34. Oxford: James Currey.

3. Allman, Jean. 2001. “Rounding Up Spinsters: Gender Chaos and Unmarried Women in Colonial Asante.” In Dorothy L. Hodgson and Sheryl A. McCurdy (eds)“Wicked” Women and the Reconfiguration of Gender in Africa, pp. 130–48. Portsmouth, NH: Heinemann.

4. What Africans Got for Their Slaves: A Master List of European Trade Goods

5. Trade, accumulation and the state in Asante in the nineteenth century

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