Abstract
Red Chinese movies depict heroic individuals who make significant contributions to the nation, and these films play a vital role in constructing the national image of new China. This paper explores the images of heroic individuals in red Chinese movies using multimodal action theory. The findings indicate that these individuals are characterized by their selfless sacrifices for their country, fearless perseverance, embodiment of international communist ideals, and unwavering devotion and warmth. The study also reveals that facial expressions, body movements, and language serve as critical mediational means in shaping these characters, while other forms of mediation are underutilized. Recommendations include employing more mediational means to create more nuanced and complex characters in future red Chinese movies.
Publisher
Darcy & Roy Press Co. Ltd.
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