Subjectivity in Women's Writing in the Cyber Age

Abstract

Women's creativity has undergone a long and difficult development. The emergence of the intangible cultural heritage "Jiangyong Nvshu" gave women an exclusive language to express their life experiences, but in the feudal historical environment, women's self-consciousness was limited, not deep or firm enough,and they could not really fight against the structure, and the subjectivity of women's calligraphy was only a restricted narrative of suffering. With socio-economic development and the rise of Internet platforms, patriarchy and male power can no longer force women to be silent, and the situation of female creators has improved. The Internet is not only a platform for amplifying women's voices, but also a field for women and their creations to be discussed and interpreted again. The era of blogging is not only a time for women to bravely break into the public sphere to write about their subjectivity, but also a time when they may be pressurized and even violated by the words of the other on the Internet. Through the qualitative research methods of purposive sampling and semi-structured in-depth interviews, this paper investigates the personal experiences of four female Internet users to understand their feelings about contemporary female creators, and analyzes their interpretations of the public opinion environment in which female creators find themselves, taking Jia Ling's personal experience and the heated debates her work Yolo as an example on the Internet.The four interviewees are student MengQianye ,editor WangYanshi, operator Pangding and YouTuber HeNan.This paper explores the limitations and possibilities of female creators' writing subjectivity in the cyber era from public figures to the creators around them, and from the experience of the creative subject to the perception of the other, from multiple levels and perspectives.