Understanding Career Women: A Comparative Analysis of Fatal Attraction and the Devil Wears Prada

Author:

Wang Haohan

Abstract

This essay explores the evolving attitudes and perceptions of working women across different eras by comparing two films from distinct time periods. These films serve as poignant reflections of society's changing views on women in the workplace. Fatal Attraction exposes the concerns and apprehensions surrounding ambitious working women in its era, exemplifying the anxiety and self-doubt experienced by independent women of that time. In contrast, The Devil Wears Prada portrays a more contemporary perspective on working women, highlighting a different archetype with a positive lens. By analyzing these films from various angles, this essay sheds light on the shifting societal perspectives toward working women over the decades. It underscores the ongoing efforts towards gender equality in the workplace and prompts reflection on our comprehension of professional society, the persistence of stereotypes, and adherence to traditional norms. Ultimately, these cinematic narratives inspire a deeper appreciation of gender equality in the workplace and a heightened respect for the contributions of working women.

Publisher

Darcy & Roy Press Co. Ltd.

Reference10 articles.

1. Adrian Lyne, director. Fatal attraction. Paramount Home Entertainment, 2002. 1 hr., 59 min.

2. David Frankel, director. The Devil Wears Prada, 2006. 1 hr., 46 min.

3. J. Emmett Winn. Moralizing upward mobility: Investigating the myth of class mobility in Working Girl. Southern Journal of Communication, 2000, 66 (1): 40-51.

4. Armaida Puspitasari. Women’s Independence in Steven Soderbergh’s Erin Brockovich: A Feminist Approach. Ph.D. Diss. Universitas Muhammadiyah Surakarta, 2009.

5. Susan Bromley and Pamela Hewitt. Fatal Attraction: The sinister side of women's conflict about career and family. Journal of Popular Culture, 1992, 26 (3): 17.

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