Author:
Henderson Eric J.,Helwig Kate,Read Stuart,Rosendahl Scott M.
Abstract
Abstract
Paintings and painted objects are quite susceptible to degradation, as paint layers are usually composed of complex mixtures of materials that can participate in chemical degradation processes. The identification of the constituent materials in paint (including binders, pigments, and fillers) and the degradation products within paint layers is of particular importance to ensuring the conservation of paintings, by providing important information both about their material history as well as their state of conservation. Metal fatty acid salts (metal soaps) are degradation products that can form in situ from interactions between inorganic pigments and free fatty acids in oil-based binding media, and can cause significant condition issues in paintings. Fourier transform infrared (FTIR) spectroscopy is one of the leading analytical techniques for the study of metal soaps. In this article, the materials analysis of several cross-sections from paintings and painted objects from works in Canadian collections is presented. Recent results on the use of external reflection FTIR (R-FTIR) spectroscopy to identify and map the distribution of paint components and metal soap degradation products is presented. In particular, zinc, lead, calcium, and copper fatty acid salts were all readily identified in paint cross-sections by R-FTIR spectroscopy, along with several pigments and the oil binding medium. The results shown here are among the first detailed examinations of these metal soaps in paint cross-sections using R-FTIR spectroscopy. The use of highly polished samples in which specular reflection is dominant allowed for spectral transformations to be applied to generate transmission/absorption-like spectra which facilitated identification of these species. The distribution of these species across the cross-sections was mapped by integrating characteristic absorption features in the R-FTIR spectra. Attenuated total internal reflection (ATR) FTIR spectroscopy was also performed on several samples, which provided additional compositional details at the interface of paint layers and degradation products.
Publisher
Springer Science and Business Media LLC
Subject
Archaeology,Archaeology,Conservation
Reference35 articles.
1. Noble P. A brief history of metal soaps in paintings from a conservation perspective. In: Casadio F, et al., editors. Metals soaps in art. Cham: Springer; 2019. p. 1–22.
2. Robinet L, Corbeil M-C. The characterization of metal soaps. Stud Conserv. 2003;48(1):23–40.
3. Hermans JJ, Keune K, Van Loon A, Iedema PD. Toward a complete molecular model for the formation of metal soaps in oil paints. In: Casadio F, et al., editors. Metals soaps in art. Cham: Springer; 2019. p. 47–67.
4. van den Berg KJ, Burnstock A, Schilling M. Notes on metal soap extenders in modern oil paints: history, use, degradation, and analysis. In: Casadio F, et al., editors. Metals soaps in art. Cham: Springer; 2019. p. 329–42.
5. Cotte M, Checroun E, De Nolf W, Taniguchi Y, De Viguerie L, Burghammer M, Walter P, Rivard C, Salomé M, Janssens K, Susini J. Lead soaps in paintings: friends or foes. Stud Conserv. 2017;62(1):2–23.
Cited by
27 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献