Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’-Reference-Cited by-同舟云学术

Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’

Published:2019-02-26 Issue:1 Volume:7 Page:
ISSN:2050-7445
Container-title:Heritage Science
language:en
Short-container-title:Herit Sci

Author:

Korenberg Capucine F.^ORCID,Pereira-Pardo Lucia,McElhinney Peter J.,Dyer Joanne

Publisher

Springer Science and Business Media LLC

Subject

Archeology,Archeology,Conservation

Link

http://link.springer.com/content/pdf/10.1186/s40494-019-0250-5.pdf

Reference46 articles.

1. Lane R. Images from the floating world: the Japanese print. Hong Kong: Chartwell Books; 1978. p. 182.

2. Keyes RS, Mizushima K. The theatrical world of Osaka prints. Philadelphia: David R. Godine in association with Philadelphia Museum of Art; 1973. p. 318.

3. Uhlenbeck C. L’estampe japonnaise: un art commercial, multiple, créatif, et immense. In: Vandeperre N, editor. Les plus belles estampes japonaises des Musées Royaux d’art et d’histoire. Bruxelles: Snoeck; 2016. p. 16–28.

4. Tinios E. The cost of prints, size of print runs, and the survival of prints in Mirror of the stage: the actor prints of Kunisada. Newcastle upon Tyne: The University Gallery; 1996. p. 11–2.

5. Keyes RS. Pink Fuji: The print Hokusai saw. Impress. 2007–2008;29:68–75.

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