Jackson Pollock’s Number 1A, 1948: a non-invasive study using macro-x-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least squares (MCR-ALS) analysis

Author:

Martins A.,Coddington J.,Van der Snickt G.,van Driel B.,McGlinchey C.,Dahlberg D.,Janssens K.,Dik J.

Funder

Baillet Latour Fund

Antwerp Research Council

Publisher

Springer Science and Business Media LLC

Subject

Archeology,Archeology,Conservation

Reference59 articles.

1. Newman R, Derrick M. Scientific examination of the paint on nine matter paintings. In: Landau EG, Cernuschi C, editors. Pollock Matters. Boston: McMullen Museum of Art Boston College; 2007. p. 105.

2. Cappitelli F. THM-GCMS and FTIR for the study of binding media in Yellow Islands by Jackson Pollock and Break Point by Fiona Banner. J Anal Appl Pyrolysis. 2004;71:405–15.

3. Lake S, Ordonez E, Schilling M. A technical investigation of paints used by Jackson Pollock in his drip or poured paintings. In: Roy A, Smith P, editors. Modern Art, New Museums: Contributions to the 20th International Institute of conservation congress in Bilbao. 2004. p. 137–41.

4. Lake S. The challenge of preserving modern art: a technical investigation of paints used in selected works by Willem de Kooning and Jackson Pollock. MRS Bull. 2001;26:56–60.

5. Szafran Y, Rivers L, Phenix A, Learner T. Jackson Pollock’s Mural: myth and substance. In: Szafran Y, Rivers L, Phenix A, Learner T, Landau E, Martin S, editors. Jackson Pollock’s Mural, the transitional moment. Los Angeles: Paul Getty Museum; 2014. p. 31–85.

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