Review of David Temperley, The Musical Language of Rock (Oxford University Press: 2018)
Author:
Affiliation:
1. University of North Texas
Abstract
Publisher
Society for Music Theory
Reference23 articles.
1. Adams, Kyle. 2020. “Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop.” Music Theory Online 26 (2). https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.adams.html.
2. Barna, Alyssa. 2020. “The Dance Chorus in Recent Top-40 Music.” SMT-V 6.4. https://doi.org/10.30535/smtv.6.4.
3. de Clercq, Trevor. 2020. “Popular Music Analysis Too Often Neglects the Analysis of Popular Music.” Popular Music 39 (2): 339–44. https://doi.org/10.1017/S0261143020000173.
4. de Clercq, Trevor, and David Temperley. 2011. “A Corpus Analysis of Rock Harmony.rdquo; Popular Music 30 (1): 47–70. https://doi.org/10.1017/S026114301000067X.
5. Doll, Christopher. 2017. Hearing Harmony: Toward a Tonal Theory for the Rock Era. University of Michigan Press. https://doi.org/10.3998/mpub.3079295.
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