1. Anderson, Emily, trans. and ed. 1966. The Letters of Mozart and His Family, 2nd ed, eds. A. Hyatt King and Monica Carolan. London: Macmillan.
2. Caplin, William E. 1998. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart and Beethoven. New York: Oxford University Press.
3. Elder, Dean. 1970. “Serkin, As Interviewed by Dean Elder.” Clavier: A Magazine for Pianists and Organists, November.
4. Schmalfeldt, Janet. 1995. “Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the Tempest Sonata.” Beethoven Forum 4: 37-71.
5. Schmalfeldt, Janet. Forthcoming. In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music. Oxford: Oxford University Press.