Affiliation:
1. University of Wisconsin Oshkosh
Abstract
In the 1980s and early 1990s, Magnus Lindberg (b. 1958) developed a sophisticated harmonic system to organize progressions of dodecaphonic chords centering on his innovative use of chaconne. This article delves into Lindberg’s harmonic system by analyzing an early work in which it is fully developed:Twine(1988) for solo piano. I will discuss the construction of the composer’s dodecaphonic chords, show the inventive techniques by which he applies chaconne to systematically arrange these harmonies into progressions, and demonstrate how these progressions define the large-scale formal structure ofTwine.
Reference14 articles.
1. Anderson, Julian. 1992. “The Spectral Sounds of Magnus Lindberg.”Musical Times133: 565–7.
2. Anderson, Julian. 2004. “Sibelius and Contemporary Music.” InA Cambridge Companion to Sibelius, ed. Daniel M. Grimley. Cambridge: Cambridge University Press.
3. Anderson, Martin. 1998. “The Large Spans.”Nordic Sounds2: 9–13.
4. Häyrynen, Antti. 1998. “High Tide for Magnus Lindberg.”Finnish Music Quarterly1:48–54.
5. Howell, Tim. 2006.After Sibelius: Studies in Finnish Music. Burlington and Aldershot: Ashgate.
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献