After the Harvest-Reference-Cited by-同舟云学术

After the Harvest

Published:2010-08 Issue:3 Volume:16 Page:
ISSN:1067-3040
Container-title:Music Theory Online
language:en
Short-container-title:MTO

Author:

Jenkins J. Daniel¹

Affiliation:

1. University of South Carolina

Publisher

Society for Music Theory

Subject

Music

Reference27 articles.

1. Aylward, John. 2009. “Metric Synchronization and Long-Range Polyrhythms in Elliott Carter’s Fifth String Quartet.”Perspectives of New Music47/2 (Summer): 88–99.

2. Bauer-Mengelberg, Stefan and Melvin Ferentz. 1965. “On Eleven-Interval Twelve-Tone Rows.”Perspectives of New Music3/2 (Spring–Summer): 93–103.

3. Bernard, Jonathan. 2009. “The String Quartets of Elliott Carter.” InIntimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet,vol. 2. Edited by Evan Jones. Rochester, University of Rochester Press, 238–275.

4. Bernard, Jonathan and Elliott Carter. 1990. “An Interview with Elliott Carter.”Perspectives of New Music28/2 (Summer): 180–214.

5. Boland, Marguerite. 2006. “‘Linking’ and ‘Morphing’: Harmonic Flow in Elliott Carter’sCon Leggerezza Pensosa.”Tempono. 237 (July): 33–43.

Cited by 3 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Review of Laura Emmery, Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches (Routledge, 2020);Music Theory Online;2021-12

2. Harmony in Elliott Carter’s Late Music;Music Theory Online;2019-05

3. Compositional Explorations of Robert Morris's All-Hexachord Chains: Implications and Contexts;Perspectives of New Music;2014