Metaphors in Motion

Abstract

Recent animated transformational analyses, while innovative, have yet to consider the underlying conceptualizations demonstrated by the language of transformational theory itself and the implications these conceptualizations hold for animated representations. This article uses schema theory as a starting point to discuss the basic cognitive organization of transformational theory, potential problems that arise in analytical practice, and the advantages and disadvantages of different animated representations of David Lewin’s analysis of Stockhausen’sKlavierstück III.