On the Metrical Techniques of Flow in Rap Music

Author:

Adams Kyle1

Affiliation:

1. Indiana University

Abstract

This article systematically explores the concept of flow in rap music, with the goal of understanding how rappers’ uses of flow contribute both to the surface rhythmic vitality of a song and to deeper levels of musical meaning. I will explain the three most significant metrical techniques that constitute a rapper’s flow, and give examples of rap songs using each technique. The article concludes with some thoughts on how changes in flow as rap music evolved contributed not only to different style features, but also to value judgments by both rappers and audiences.

Publisher

Society for Music Theory

Subject

Music

Reference13 articles.

1. Adams, Kyle. 2008. “Aspects of the Music/Text Relationship in Rap.”Music Theory Online14.2.

2. Adler, Jerry et al. 1990. “The Rap Attitude.”Newsweek, March 19: 56–59.

3. Crossley, Scott. 2005. “Metaphorical Conceptions in Hip-Hop Music.”African American Review39, no. 4: 501–512.

4. Everett, Walter. 2009.The Foundations of Rock. Oxford: Oxford University Press.

5. Frere-Jones, Sasha. 2004. “Doom’s Day: Madvillain Redeems the Pretensions of Independent Hip-hop.”The New Yorker, April 12, 2004. Accessed online at http://www.newyorker.com/archive/2004/04/12/040412crmu_music, November 13, 2008.

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