A Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz

Author:

Cairns Zachary A.1

Affiliation:

1. University of Missouri - St. Louis

Abstract

Iuriĭ Kholopov’s Garmonicheskiĭ analiz (Harmonic analysis) is a three-volume anthology, intended to accompany his textbook Garmoniia: Prakticheskiĭ kurs (Harmony: a practical course), which formed the basis of the harmony courses he taught at the Moscow Conservatory in the 1980s. This paper provides a small glimpse into the anthology, particularly volume 3. This volume, which deals primarily with non-tonal music of the twentieth century, is the only one with its own subtitle: hemitonicism. The subtitle refers to a simple, intuitive analytical system in which groups of intervals that involve one or more semitones play a prominent role. The paper concludes with an examination of Kholopov’s analysis of Denisov’s Romanticheskaia muzyka (Romantic Music) for oboe, harp, and string trio (1968), a representative example of the analyses in Garmonicheskiĭ analiz’s third volume.

Publisher

Society for Music Theory

Subject

Music

Reference18 articles.

1. Cairns, Zachary. 2010. “Multiple-Row in Three Works by Edison Denisov.” PhD diss., University of Rochester, Eastman School of Music.

2. Cairns, Zachary. 2011. “The Second Conservatory.” Paper presented at the annual conference of the Society for Music Theory, Minneapolis.

3. Cairns, Zachary. 2012. “Svetlana Kurbatskaya on Serial Music: Twelve Categories of ‘Twelve-Toneness.’” Gamut 5, no. 1: 99–131.

4. Cairns, Zachary. 2013 (forthcoming). “Edison Denisov’s Second Conservatory: Analysis and Implementation.” Indiana Theory Review 31, no. 1/2.

5. Denisov, Edison. 1970. “’Variatsii’ op. 27 dlia fortepiano A. Veberna” [A. Webern’s Variations op. 27 for piano]. Collage 9: 46–71.

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