Review of The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019)-Reference-Cited by-同舟云学术

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Review of The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019)

Published:2021-03 Issue:1 Volume:27 Page:
ISSN:1067-3040
Container-title:Music Theory Online
language:en
Short-container-title:MTO

Author:

Boyle Antares¹,Leydon Rebecca²,Sherrill Paul³,Swinkin Jeffrey⁴

Affiliation:

1. Portland State University

2. Oberlin College and Conservatory

3. University of Utah

4. University of Oklahoma

Abstract

Publisher

Society for Music Theory

Subject

Music

Reference46 articles.

1. Agawu, Kofi. 2017. “Against Ethnotheory.” In The Dawn of Music Semiology: Essays in Honor of Jean-Jacques Nattiez, edited by Jonathan Dunsby and Jonathan Goldman, 38–55. Boydell & Brewer.

2. Arom, Simha, Nathalie Fernando Fernando, Susanne Fürniss, Fabrice Marandola, et al. 2007. “Typologie des Techniques Polyphoniques.” In Musiques: Une encyclopédie pour le XXIe siècle vol. 5, edited by Jean-Jacques Nattiez, 1088–1109. Actes Sud/Cité de la Musique.

3. Attas, Robin. 2015. “Form as Process: The Buildup Introduction in Popular Music.” Music Theory Spectrum 37 (2): 275–296.

4. Berry, Wallace. 1987. Structural Functions in Music. Dover.

5. Blake, David K. 2012. “Timbre as Differentiation in Indie Music.” Music Theory Online 18 (2). https://mtosmt.org/issues/mto.12.18.2/mto.12.18.2.blake.php

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