Review of Malawey, Victoria, A Blaze of Light in Every Word: Analyzing the Popular Singing Voice (Oxford University Press, 2020)
Author:
Affiliation:
1. The Graduate Center, City University of New York
Publisher
Society for Music Theory
Subject
Music
Reference33 articles.
1. Baitz, Dana. 2018. “Towards a Trans* Method in Musicology.” In The Oxford Handbook of Music and Queerness, edited by Fred Everett Maus and Sheila Whiteley. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199793525.001.0001.
2. Barthes, Roland. 1985. Responsibility of Forms. Translated by Richard Howard. University of California Press.
3. Boak, Sarah. 2015. “Phono-somatics: Gender, Embodiment, and Voice in the Recorded Music of Tori Amos, Björk, and PJ Harvey.” Ph.D. dissertation, University of Southampton.
4. Brøvig-Hanssen, Ragnild and Anne Danielsen. 2016. Digital Signatures: The Impact of Digitization on Popular Music Sound. The MIT Press.
5. Burns, Lori, Marc Lafrance, and Laura Hawley. 2008. “Embodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk.” Music Theory Online 14 (4). https://mtosmt.org/issues/mto.08.14.4/mto.08.14.4.burns_lafrance_hawley.html.
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