Affiliation:
1. Universidad Complutense de Madrid
Abstract
The analysis of the structural repercussions of musicians’ strategies has traditionally focused on their handling of timing and dynamics, not only because of the correlation found in performances between hierarchical phrase structure and coordinated decreases in both parameters—usually referred to as phrase arching (".fn_cite($gabrielsson_1988).") or phrase-final lengthening (".fn_cite($todd_1985).
Reference109 articles.
1. Agawu, Kofi. 2008. Music as Discourse: Semiotic Adventures in Romantic Music. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195370249.001.0001.
2. Arnone, Augustus. 2006. “The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano.” Current Musicology 82 (Fall): 7–32. https://doi.org/10.7916/D8H70DGB.
3. Barolsky, Daniel. 2007. “The Performer as Analyst.” Music Theory Online 13 (1). https://doi.org/10.30535/mto.13.1.6.
4. Barolsky, Daniel. 2008. “Embracing Imperfection in Benno Moiseiwitsch’s Prelude to Chopin.” Music Performance Research 2: 48–60.
5. Bayley, Amanda. 1996. “Bartók Performance Studies: Aspects of Articulative Notation in the Context of Changing Traditions of Composition and Performance in the Twentieth Century.” PhD diss., University of Reading.
Cited by
4 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献
1. Analysing Stylistic Differences between Orchestras: an Empirical Study of the ‘Viennese Rhythm’ in the Vienna Philharmonic's Recordings of The Blue Danube;Music Analysis;2024-07
2. Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett;Music Analysis;2023-10
3. Una base empírica para la historia de la interpretación musical: Segovia y Bream en la segunda mitad del siglo XX;Súmula: Revista de Teoría y Análisis Musical;2023-04-02
4. Review of Joel Lester, Brahms’s Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020);Music Theory Online;2022-06