History for Theorists

Author:

Martin Nathan John1

Affiliation:

1. University of Michigan

Abstract

This essay represents a short reflection on the diverse attitudes that music theorists have taken to their past, illustrated with examples from the current literature using a scheme borrowed from Ian Hacking’s (2002) essay “Two Kinds of ‘New Historicism’ for Philosophers” as its conceptual frame.

Publisher

Society for Music Theory

Subject

Music

Reference39 articles.

1. Beerbohm, Max. 2015. “The Spirit of Caricature.” In The Prince of Minor Writers: The Selected Essays of Max Beerbohm, ed. Philip Lopate, 250–57. New York Review Books.

2. Burnham, Scott. 1992. “Method and Motivation in Hugo Riemann’s History of Harmonic Theory.” Music Theory Spectrum 14 (1): 1–14.

3. Cohen, David E. 2001. “The ‘Gift of Nature’: Musical ‘Instinct and Musical Cognition in Rameau.” In Music Theory and the Natural Order, ed. Suzannah Clark and Alexander Rehding, 68–92. Cambridge University Press.

4. Cohn, Richard. 2012. Audacious Euphony: Chromatic Harmony and the Triad’s Second Nature. Oxford University Press.

5. Cutler, Timothy. 2008. “Inverted Cadential Six-Four Harmonies.” Presented at the Annual Meeting of the Society for Music Theory, November 6–9, Nashville.

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