Middleground Structure in the Cadenza to Boulez’s Éclat-Reference-Cited by-同舟云学术

Middleground Structure in the Cadenza to Boulez’s Éclat

Published:2019-05 Issue:1 Volume:25 Page:
ISSN:1067-3040
Container-title:Music Theory Online
language:en
Short-container-title:MTO

Author:

Losada C. Catherine¹

Affiliation:

1. University of Cincinnati

Abstract

Through a transformational analysis of Boulez’s Éclat, this article extends previous understanding of Boulez’s compositional techniques by addressing issues of middleground structure and perception. Presenting a new perspective on this pivotal work, it also sheds light on the development of Boulez’s compositional style.

Publisher

Society for Music Theory

Subject

Music

Reference72 articles.

1. Alegant, Brian and McLean, Donald. 2001. “On the Nature of Enlargement.” Journal of Music Theory 45(1): 31–72.

2. Benzi, Carlo. 2005. “Rhétorique de l’alternance dans la musique contemporaine : analyse d’ ‘Éclat’ (1965) de Pierre Boulez.” Musurgia 12(1–2): 109–131.

3. Bonnet, Antoine. 1987. “Ecriture and perception: on Messagesquisse by Pierre Boulez.” Contemporary Music Review 2(1): 173–209.

4. Boulez, Pierre. 1971. Boulez on Music Today. Translated by Susan Bradshaw and Richard Rodney Bennett. Harvard University Press. Original edition. Musikdenken heute 1. Mainz: B. Schott’s Söhne, 1963. Penser la Musique Aujourd’hui. Gonthier, 1964.

5. Boulez, Pierre. 1975. Par volonté et par hasard. Entretiens avec Célestin Deliège. Seuil. English Translation. Pierre Boulez: Conversations with Célestin Deliège. Eulenburg, 1976.

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