1. Adorno, Theodor W. 1949.Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. Seabury Press. 1973.
2. Carr, Maureen A., ed. 2010.Stravinsky’s Pulcinella: a Facsimile of the Sources and Sketches. A-R Editions.
3. Carr, Maureen A., ed. 2005.Stravinsky’s Histoire du soldat: a Facsimile of the Sketches. A-R Editions.
4. Carr, Maureen A. 2002.Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects. University of Nebraska Press.
5. Cone, Edward T. 1962. “Stravinsky: The Progress of a Method.”Perspectives of New Music1 (1): 18–26. Reprinted inPerspectives on Schoenberg and Stravinsky, ed. Benjamin Boretz and Edward T. Cone, 155–64. W. W. Norton, 1972, and in Edward T. Cone,Music: A View from Delft, 293–301. University of Chicago Press, 1989.