Review of Drew Nobile, Form as Harmony in Rock Music (Oxford University Press, 2020)

Author:

Barna Alyssa1

Affiliation:

1. University of Minnesota

Abstract

Publisher

Society for Music Theory

Subject

Music

Reference19 articles.

1. Barnett, David C. 2020. “Women Make Up Less Than 8% Of Rock and Roll Hall of Fame Inductees.” NPR Music News, January 14, 2020. https://www.npr.org/2020/01/14/796012607/women-make-up-less-than-8-of-rock-and-roll-hall-of-fame-inductees

2. Biamonte, Nicole. 2014. “Formal Functions of Metric Dissonance in Rock Music.” Music Theory Online 20 (2). https://www.mtosmt.org/issues/mto.14.20.2/mto.14.20.2.biamonte.html

3. Branstetter, Leah. 2019. “Women in Rock and Roll's First Wave.” Ph.D. Dissertation, Case Western Reserve University. http://www.womeninrockproject.org/

4. Caplin, William E. 2004. “The Classical Cadence: Conceptions and Misconceptions.” Journal of the American Musicological Society 57 (1): 51–118.

5. Danielsen, Anne, 2015. “Metrical Ambiguity or Microrhythmic Flexibility? Analysing Groove in ‘Nasty Girl’ by Destiny’s Child.” In Song Interpretation in 21st-Century Pop Music, ed. Ralf von Appen, André Doehring, Dietrich Helms, and Allan F. Moore, 53–71. Ashgate Publishing

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