Neoserial, serial premium czy post soap opera? W poszukiwaniu wyznaczników dla seriali nowej generacji

Author:

Borowiecki Artur

Abstract

Borowiecki Artur, Neoserial, serial premium czy post soap opera? W poszukiwaniu wyznaczników dla seriali nowej generacji [Neo series, premium series or post soap opera? In looking for characteristics of the new generation TV series]. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 163–171.ISSN 1731–450X. DOI 10.14746/i.2019.34.11. Modern television series are a product of quality television and thus significantly differ from the models that have been deeply rooted in serial culture since the very beginning of the media’s existence. In the past, television formats were thematically subject to the requirements of television broadcast programming. They were characterized by five-act structures, with climaxes forced by television stations to occur before subsequent commercial breaks. At that time, the dominating category constituted series with an episodic structure closed within one episode. This resulted in the appearance of the currently widespread procedurals. Nonetheless, the three-act structure of sitcom plots dominates nowadays, in the post-network era. Another significant feature of the post soap is its narrative complexity (Mittell), which, in addition to formal procedures, often uses quotes, and autotematic references. The purpose of this article is to analyze the narrative complexity of new generation TV series, called “post soap”. A new genre of TV series has been examined through the examples of a popular show: Ślepnąc od świateł (2018).

Publisher

Adam Mickiewicz University Poznan

Subject

Visual Arts and Performing Arts,Communication,Cultural Studies

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1. Wątek główny, równoległy czy epizodyczny? Storyline A, B czy C? Kwestia wątków w narracji serialowej;Media - Kultura - Komunikacja Społeczna;2024-07-02

2. On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives;Critical Studies in Television: The International Journal of Television Studies;2022-11-20

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