Abstract
This article reconsiders the pedagogical theories of leading Elizabethan teacher Richard Mulcaster in the light of early modern boy company repertories. Focusing on Mulcaster’s teachings relating to the skilled, moving body, the article traces his connections to the Children of Paul’s and the Children of the Blackfriars to suggest that the boy company stage became a site that explored boys’ physical skills. The early modern boy company repertories, the article ultimately suggests, positioned their young actors as ‘Mr Mulcaster’s scholars’.
Cited by
3 articles.
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1. Disavowing Authority in the Shakespeare Classroom;2024-04-02
2. Drama and Entertainments by Rachel Fane;The Palgrave Encyclopedia of Early Modern Women's Writing;2023
3. Drama and Entertainments by Rachel Fane;The Palgrave Encyclopedia of Early Modern Women's Writing;2022