Comparative Symbolic Analysis of the Ethno-Fusion Genre: Insights and Perspectives

Author:

Kamberaj Valton1,Kadriu Arbana2,Besimi Nuhi3

Affiliation:

1. 1 Faculty of Contemporary Sciences and Technologies , South East European University , Tetovo , North Macedonia

2. 2 Faculty of Contemporary Sciences and Technologies , South East European University , Tetovo , North Macedonia

3. 3 Faculty of Contemporary Sciences and Technologies , South East European University , Tetovo , North Macedonia

Abstract

Abstract This study explores the integration of music and technology, illustrating their potential to collaboratively push the boundaries of musical exploration. Despite traditionally being viewed as unrelated, the combination of these two fields can significantly contribute to the progress of musical development. This study uses advanced computational methods to build a dataset filled with symbolic musical sequences that belong to a specific genre. This dataset is shown to be highly accurate and provides a detailed analysis of frequencies when examined closely, highlighting its quality and depth. We subject our dataset to comparative analysis with the renowned MAESTRO dataset, employing chromagrams to examine audio signals, rhythms, chords, solos, and note patterns in MIDI format through a variety of methods. This comparison underscores the superior quality of our sequences relative to those in the MAESTRO dataset, emphasizing the meticulousness of our sequence creation process. Moreover, we conduct internal evaluations of our dataset using both three-dimensional and two-dimensional approaches to melody representation, confirming its viability for future scholarly work. This effort seeks to enhance the music field by integrating computer science insights and methodologies, expanding the scope for future music technology research. It highlights the collaborative potential between musical creativity and technological advances in ongoing studies.

Publisher

Walter de Gruyter GmbH

Reference28 articles.

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2. Anand, V. V. (2020). Music Genre Clasification with Deep Learning. SCOPUS, 1-6.

3. Briot, J. (2021). From artificial neural networks to deep learning for music generation: history, concepts and trends. Neural Comput & Applic, Springer, 31-65. doi:10.1007/s00521-020-05399-0

4. Chen, Y.-H. H.-Y.-H.-H. (2020). Automatic Composition of Guitar Tabs by Transformers and Groove Modeling. Accepted at Proc. Int. Society for Music Information Retrieval Conf. 2020, 1-5.

5. Chris Donahue, H. H. (2019). LakhNES: Improving multi-instrumental music generation with cross-domain pre-training. arXiv:1907.04868 [cs.SD], 1-8.

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