1. [1] The exhibition “VAL—Cesty a aspekty zajtrajška” (1996) took place in Umelecká Beseda in Bratislava, Slovakia (today’s Gallery Umelka). Later, in 1997, the exhibition moved to the gallery Klasik, Žilina, both in Slovakia. It was also their first exhibition, where all eight projects were presented (Heliopolis: Olympic City, Akusticon: Homage to M. Filip, Homage to Hope and Courage: Memorial to E.A. Cernan, Istroport: Port on the Danube, Antarctica: To Those Daring to Seek, Scarabea: Space City, People’s Assembly of Argillia: Homage to Claude-Nicolas Ledoux, E-temen-an-ki: Sheraton Hotel Babylon).
2. [2] Kupkovič, Ľ., Mecková, V., Mlynárčik, A. (1995) “VAL - Cesty a aspekty zajtrajška” (exhibition catalogue), Žilina, Slovakia.
3. [3] Restany, P. (1995) “Inde - Alex Mlynárčik”, Slovenská národná galéria, Bratislava, Slovakia.
4. [4] Theory of prospective architecture is defined by Michel Ragon in the publication: Ragon, M. (1963) “Où vivrons-nous demain?”, Édition Robert Laffont, Paris, France. A Czech translation was subsequently published in Czechoslovakia: Ragon, M. (1967) “Kde budeme žít zítra?”, Mladá fronta, Prague, Czechoslovakia. Later, in 1965, the manifesto of the G.I.A.P. group (Groupe International d’architecture prospective) was published, initiated by Michel Ragon. In the late 1970s, he published an “encyclopedia” of prospective architecture in which one of the projects of VAL also appeared: Ragon, M. (1978) “Histoire mondiale de l’architecture et de l´urbanisme moderne, Prospective et futurologie”, Casterman, Paris, France.
5. [5] Ragon, M. (1971-1972) “Alex Mlynárčik”, Chroniques de l’art vivant XXVI(41), p. 20.