Design Expression of “Chinese-style” Costumes in the Context of Globalization

Author:

Song Chunhui1,Zhao Haiying2,Men Aidong2,Liang Xiaoyue3

Affiliation:

1. 1 Beijing Peony Electronic Group Co.,Ltd. & Beijing University of Posts and Telecommunications , Beijing , China

2. 2 School of Artificial Intelligence, Beijing University of Posts and Telecommunications , Beijing , China

3. 3 Science and Technology Innovation Department of Beijing Peony Electronic Group Co., Ltd. , Beijing , China

Abstract

Abstract The purpose of this study is to discuss how “Chinese-style” clothing is integrated into the international fashion market by applying traditional Chinese clothing design elements in the context of globalization. This research defined four design elements of traditional Chinese clothing through literature analysis, which mainly consisted of colors, silhouettes, fabrics and crafts. Then professional researchers selected four representative enterprises oriented to the international market from a large quantity of “Chinese-style” enterprises and compared the design works officially released by the four “Chinese-style” enterprises with the four design elements by Nvivo12. Through analyzing 1,176 pieces of Chinese-style design works of the four representative enterprises, the study found that “Chinese-style” enterprises oriented to the international market comprehensively apply traditional Chinese clothing design elements to conduct innovative design to show their own cultural identities to a large extent.

Publisher

Walter de Gruyter GmbH

Subject

Industrial and Manufacturing Engineering,General Environmental Science,Materials Science (miscellaneous),Business and International Management

Reference17 articles.

1. Chen, X. A study of the “Chinese-style” Clothing design theory. XiNn, Xi’an Academy of Fine Arts; 2015; p.1-3.

2. Duan, X. Phenomenon and Enlightenment of Chinese-style in Chinese and Western Fashion Design. Journal of Wuhan University of Science and Engineering, 2018; p.8-12.

3. Ma, Y. “Chinese style”- the application of Chinese traditional clothing shape in modern clothing design, Jiangnan University; 2010.

4. Tsui C. From Symbols to Spirit: Changing Conceptions of National Identity in Chinese Fashion, Fashion Theory, 2013; 17(5): 579-604.

5. Tu, T. The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion. New York, USA: Duke University Press; 2010.

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