Cultural Labour and Social Awareness. How Arts Become Political – A Romanian and Moldavian Story

Author:

Braniște Miki1,Popovici Iulia2

Affiliation:

1. Faculty of Theatre and Film , Babeș-Bolyai University , cultural manager and curator for performing arts at ColectivA Association and The Paintbrush Factory Cluj-Napoca

2. Performing arts critic and curator

Publisher

Walter de Gruyter GmbH

Reference13 articles.

1. Claire Bishop (2006). The Social Turn: Collaboration And Its Discontents. Artforum. 01.02.2006. www.artforum.com/. (Accessed on 10.12.2019).

2. Bishop, Claire (2012). Delegated Peformance: Outsourcing Authenticity. CUNY Academic Works. http://academicworks.cuny.edu/gc_pubs/45.

3. Cantrell, Tom (2013). Acting in Documentary Theatre. Basingstoke: Palgrave Macmillan.10.1007/978-1-137-01973-8

4. Feldman, Benedict Alexander (2018). The Theatre of Culpability: Reading the Tricycle’s Tribunal Plays through the Trial of Adolf Eichmann. Law, Culture and the Humanities, May, 2018: 1-22.

5. Hammond, Will, Steward Dan (Eds.), (2008). Verbatim Verbatim: Contemporary Documentary Theatre. London: Oberon.

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